We would fain shut our eyes, and open them again at twenty years hence, with Mr. Sandys in the fulness of his powers. It is not to be. What he might have become is hidden from us; what he was we know. He was little more than a stripling when he 'burst upon the town' to be its marvel--and to die; a 'marvellous boy' indeed; yet how unlike in character and in the nobility of his short life, as in the mournful yet lovely circumstances of his death, to that other Might-Have-Been who 'perished in his pride.' Our young men of letters have travelled far since the days of Chatterton. Time was when a riotous life was considered part of their calling--when they shunned the domestic ties and actually held that the consummate artist is able to love nothing but the creations of his fancy. It is such men as Thomas Sandys who have exploded that pernicious fallacy....
"Whether his name will march down the ages is not for us, his contemporaries, to determine. He had the most modest opinion of his own work, and was humbled rather than elated when he heard it praised. No one ever loved praise less; to be pointed at as a man of distinction was abhorrent to his shrinking nature; he seldom, indeed, knew that he was being pointed at, for his eyes were ever on the ground. He set no great store by the remarkable popularity of his works. 'Nothing,' he has been heard to say to one of those gushing ladies who were his aversion, 'nothing will so certainly perish as the talk of the town.' It may be so, but if so, the greater the pity that he has gone from among us before he had time to put the coping-stone upon his work. There is a beautiful passage in one of his own books in which he sees the spirits of gallant youth who died too young for immortality haunting the portals of the Elysian Fields, and the great shades come to the portal and talk with them. We venture to say that he is at least one of these."
What was the individuality behind the work? They discussed it in leading articles and in the correspondence columns, and the man proved to be greater than his books. His distaste for admiration is again and again insisted on and illustrated by many characteristic anecdotes. He owed much to his parents, though he had the misfortune to lose them when he was but a child. "Little is known of his father, but we understand that he was a retired military officer in easy circumstances. The mother was a canny Scotchwoman of lowly birth, conspicuous for her devoutness even in a land where it is everyone's birthright, and on their marriage, which was a singularly happy one, they settled in London, going little into society, the world forgetting, by the world forgot, and devoting themselves to each other and to their two children. Of these Thomas was the elder, and as the twig was early bent so did the tree incline. From his earliest years he was noted for the modesty which those who remember his boyhood in Scotland (whither the children went to an uncle on the death of their parents) still speak of with glistening eyes. In another column will be found some interesting recollections of Mr. Sandys by his old schoolmaster, Mr. David Cathro, M.A., who testifies with natural pride to the industry and amiability of his famous pupil. 'To know him,' says Mr. Cathro, 'was to love him.'"
According to another authority, T. Sandys got his early modesty from his father, who was of a very sweet disposition, and some instances of this modesty are given. They are all things that Elspeth did, but Tommy is now represented as the person who had done them. "On the other hand, his strong will, singleness of purpose, and enviable capacity for knowing what he wanted to be at were a heritage from his practical and sagacious mother." "I think he was a little proud of his strength of will," writes the R.A. who painted his portrait (now in America), "for I remember his anxiety that it should be suggested in the picture." But another acquaintance (a lady) replies: "He was not proud of his strong will, but he liked to hear it spoken of, and he once told me the reason.