There are so many cushions in it that you wonder why, if you are an outsider and don't know that, it needs six cushions to make one fair head comfy. The couches themselves are cushions as large as beds, and there is an art of sinking into them and of waiting to be helped out of them. There are several famous paintings on the walls, of which you may say 'Jolly thing that,' without losing caste as knowing too much; and in cases there are glorious miniatures, but the daughters of the house cannot tell you of whom; 'there is a catalogue somewhere.' There are a thousand or so of roses in basins, several library novels, and a row of weekly illustrated newspapers lying against each other like fallen soldiers. If any one disturbs this row Crichton seems to know of it from afar and appears noiselessly and replaces the wanderer. One thing unexpected in such a room is a great array of tea things. Ernest spots them with a twinkle, and has his epigram at once unsheathed. He dallies, however, before delivering the thrust.
ERNEST. I perceive, from the tea cups, Crichton, that the great function is to take place here.
CRICHTON (with a respectful sigh). Yes, sir.
ERNEST (chuckling heartlessly). The servants' hall coming up to have tea in the drawing-room! (With terrible sarcasm.) No wonder you look happy, Crichton.
CRICHTON (under the knife). No, sir.
ERNEST. Do you know, Crichton, I think that with an effort you might look even happier. (CRICHTON smiles wanly.) You don't approve of his lordship's compelling his servants to be his equals--once a month?
CRICHTON. It is not for me, sir, to disapprove of his lordship's radical views.
ERNEST. Certainly not. And, after all, it is only once a month that he is affable to you.
CRICHTON. On all other days of the month, sir, his lordship's treatment of us is everything that could be desired.
ERNEST. (This is the epigram.) Tea cups! Life, Crichton, is like a cup of tea; the more heartily we drink, the sooner we reach the dregs.
CRICHTON (obediently). Thank you, sir.
ERNEST (becoming confidential, as we do when we have need of an ally). Crichton, in case I should be asked to say a few words to the servants, I have strung together a little speech. (His hand strays to his pocket.) I was wondering where I should stand.
(He tries various places and postures, and comes to rest leaning over a high chair, whence, in dumb show, he addresses a gathering. CRICHTON, with the best intentions, gives him a footstool to stand on, and departs, happily unconscious that ERNEST in some dudgeon has kicked the footstool across the room.)
ERNEST (addressing an imaginary audience, and desirous of startling them at once). Suppose you were all little fishes at the bottom of the sea--
(He is not quite satisfied with his position, though sure that the fault must lie with the chair for being too high, not with him for being too short. CRICHTON'S suggestion was not perhaps a bad one after all. He lifts the stool, but hastily conceals it behind him on the entrance of the LADIES CATHERINE and AGATHA, two daughters of the house. CATHERINE is twenty, and AGATHA two years younger. They are very fashionable young women indeed, who might wake up for a dance, but they are very lazy, CATHERINE being two years lazier than AGATHA.)
ERNEST (uneasily jocular, because he is concealing the footstool). And how are my little friends to-day?
AGATHA (contriving to reach a settee). Don't be silly, Ernest. If you want to know how we are, we are dead. Even to think of entertaining the servants is so exhausting.
CATHERINE (subsiding nearer the door). Besides which, we have had to decide what frocks to take with us on the yacht, and that is such a mental strain.
ERNEST. You poor over-worked things. (Evidently AGATHA is his favourite, for he helps her to put her feet on the settee, while CATHERINE has to dispose of her own feet.) Rest your weary limbs.
CATHERINE (perhaps in revenge). But why have you a footstool in your hand?
AGATHA. Yes?
ERNEST.