Boys used to gather round the gate in anticipation of his coming, and make a feint of driving him inside. Cree, when he observed them, sat down on his barrow-shafts terrified to approach, and I see them now pointing to the workhouse till he left his barrow on the road and hobbled away, his legs cracking as he ran.
It is strange to know that there was once a time when Cree was young and straight, a callant who wore a flower in his button-hole and tried to be a hero for a maiden's sake.
Before Cree settled down as a weaver, he was knife and scissor grinder for three counties, and Mysy, his mother, accompanied him wherever he went. Mysy trudged alongside him till her eyes grew dim and her limbs failed her, and then Cree was told that she must be sent to the pauper's home. After that a pitiable and beautiful sight was to be seen. Grinder Queery, already a feeble man, would wheel his grindstone along the long high-road, leaving Mysy behind. He took the stone on a few hundred yards, and then, hiding it by the roadside in a ditch or behind a paling, returned for his mother. Her he led--sometimes he almost carried her--to the place where the grindstone lay, and thus by double journeys kept her with him. Every one said that Mysy's death would be a merciful release--every one but Cree.
Cree had been a grinder from his youth, having learned the trade from his father, but he gave it up when Mysy became almost blind. For a time he had to leave her in Thrums with Dan'l Wilkie's wife, and find employment himself in Tilliedrum. Mysy got me to write several letters for her to Cree, and she cried while telling me what to say. I never heard either of them use a term of endearment to the other, but all Mysy could tell me to put in writing was: "Oh, my son Cree; oh, my beloved son; oh, I have no one but you; oh, thou God watch over my Cree!" On one of these occasions Mysy put into my hands a paper, which she said would perhaps help me to write the letter. It had been drawn up by Cree many years before, when he and his mother had been compelled to part for a time, and I saw from it that he had been trying to teach Mysy to write. The paper consisted of phrases such as "Dear son Cree," "Loving mother," "I am takin' my food weel," "Yesterday," "Blankets," "The peats is near done," "Mr. Dishart," "Come home, Cree." The grinder had left this paper with his mother, and she had written letters to him from it.
When Dan'l Wilkie objected to keeping a cranky old body like Mysy in his house, Cree came back to Thrums and took a single room with a hand-loom in it. The flooring was only lumpy earth, with sacks spread over it to protect Mysy's feet. The room contained two dilapidated old coffin-beds, a dresser, a high-backed arm-chair, several three-legged stools, and two tables, of which one could be packed away beneath the other. In one corner stood the wheel at which Cree had to fill his own pirns. There was a plate-rack on one wall, and near the chimney-piece hung the wag-at-the-wall clock, the time-piece that was commonest in Thrums at that time, and that got this name because its exposed pendulum swung along the wall. The two windows in the room faced each other on opposite walls, and were so small that even a child might have stuck in trying to crawl through them. They opened on hinges, like a door. In the wall of the dark passage leading from the outer door into the room was a recess where a pan and pitcher of water always stood wedded, as it were, and a little hole, known as the "bole," in the wall opposite the fire-place contained Cree's library. It consisted of Baxter's "Saints' Rest," Harvey's "Meditations," the "Pilgrim's Progress," a work on folk-lore, and several Bibles. The saut-backet, or salt-bucket, stood at the end of the fender, which was half of an old cart-wheel. Here Cree worked, whistling "Ower the watter for Chairlie" to make Mysy think that he was as gay as a mavis. Mysy grew querulous in her old age, and up to the end she thought of poor, done Cree as a handsome gallant.