Here is Eusapia's frank reply: "Many times I have been told so. You see, it is like this. Some people are at the table who expect tricks-in fact, they want them. I am in a trance. Nothing happens. They get impatient. They think of the tricks-nothing but tricks. They put their mind on the tricks, and-I-and I automatically respond. But it is not often. They merely will me to do them. That is all." This sounds like Eusapia's ingenious adoption of a defence she has heard others make on her behalf. At the same time it has no doubt an element of truth in it, the psychological side of mediumship being little understood.

Two important observations may be made in this connexion. First, as Dr. Hereward Carrington pointed out, various experiments conducted with the object of duplicating the phenomena by fraudulent means resulted in complete failure in almost every case. Second, that the Cambridge sitters were apparently entirely ignorant of the existence and operation of what may be called the "ectoplasmic limb," a phenomenon observed in the case of Slade and other mediums. Carrington says: "All the objections Mrs. Sidgwick raises might be met if we could suppose that Eusapia materializes for the time being a third arm, which produces these phenomena, and which recedes into her body at the conclusion of a phenomenon." Now, strange as it may appear, this is just the conclusion to which abundant evidence points. As early as 1894. Sir Oliver Lodge saw what he describes as an "appearance as of extra limbs," continuous with Eusapia's body or very close to it. With that assurance which ignorance so often assumes, the editorial comment in the JOURNAL of the Society for Psychical Research, wherein Sir Oliver's account was printed, says: "It is hardly necessary to remark that the continuity of the 'spirit' limbs with the body of the medium is PRIMA FACIE a circumstance strongly suggestive of fraud."

But later scientific investigators amply confirm Sir Oliver Lodge's surmise. Professor Bottazzi states:

Another time, later on, the same hand was placed on my right forearm, without squeezing it. On this occasion I not only carried my left hand to the spot, but I looked, so I could see and feel at the same time: I saw a human hand, of natural colour, and I felt with mine the fingers and the back of a lukewarm, nervous, rough hand. THE HAND DISSOLVED, AND (I SAW IT WITH MY EYES) RETREATED AS IF INTO MADAME PALLADINO'S BODY, DESCRIBING A CURVE. I confess that I felt some doubt as to whether Eusapia's left hand had freed itself from my right hand, to reach my forearm, but at the same instant I was able to prove to myself that the doubt was groundless, because our two hands were still in contact in the ordinary way. If all the observed phenomena of the seven seances were to disappear from my memory, this one I could never forget.

Professor Galeotti, in July, 1907, plainly saw what he called the doubling of the left arm of the medium. He exclaimed: "Look, I see two left arms, identical in appearance! One is on the little table, and it is that which M. Bottazzi touches, and the other seems to come out of her shoulder-to approach her, and touch her, and then return and melt into her body again. This is not an hallucination." At a seance in July, 1905, at the house of M. Berisso, when Eusapia's hands were thoroughly controlled and visible to all, Dr. Venzano and others present "distinctly saw a hand and an arm covered by a dark sleeve issue from the front and upper part of the right shoulder of the medium." Much similar testimony might be given.

Towards a study of the complexities of mediumship, especially with Eusapia, the following case is deserving of serious attention. In a sitting with Professor Morselli, Eusapia had been detected liberating her hand from the professor's grasp and stretching it out to reach a trumpet which was on the table. She was prevented, however, from doing this. The report then says:

At this moment, while the control was certainly more rigorous than ever, the trumpet was raised from the table and disappeared into the cabinet, passing between the medium and Dr.

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