The chamber was a bare and bleak one, un-papered and un-carpeted, but a good fire sparkled in the grate, and two large windows gave him the needful light. His easel stood in the centre, with the great canvas balanced across it, while against the walls there leaned his two last attempts, "The Murder of Thomas of Canterbury" and "The Signing of Magna Charta." Robert had a weakness for large subjects and broad effects. If his ambition was greater than his skill, he had still all the love of his art and the patience under discouragement which are the stuff out of which successful painters are made. Twice his brace of pictures had journeyed to town, and twice they had come back to him, until the finely gilded frames which had made such a call upon his purse began to show signs of these varied adventures. Yet, in spite of their depressing company, Robert turned to his fresh work with all the enthusiasm which a conviction of ultimate success can inspire.
But he could not work that afternoon.
In vain he dashed in his background and outlined the long curves of the Roman galleys. Do what he would, his mind would still wander from his work to dwell upon his conversation with the vicar in the morning. His imagination was fascinated by the idea of this strange man living alone amid a crowd, and yet wielding such a power that with one dash of his pen he could change sorrow into joy, and transform the condition of a whole parish. The incident of the fifty-pound note came back to his mind. It must surely have been Raffles Haw with whom Hector Spurling had come in contact. There could not be two men in one parish to whom so large a sum was of so small an account as to be thrown to a bystander in return for a trifling piece of assistance. Of course, it must have been Raffles Haw. And his sister had the note, with instructions to return it to the owner, could he be found. He threw aside his palette, and descending into the sitting-room he told Laura and his father of his morning's interview with the vicar, and of his conviction that this was the man of whom Hector was in quest.
"Tut! Tut!" said old McIntyre. "How is this, Laura? I knew nothing of this. What do women know of money or of business? Hand the note over to me and I shall relieve you of all responsibility. I will take everything upon myself."
"I cannot possibly, papa," said Laura, with decision. "I should not think of parting with it."
"What is the world coming to?" cried the old man, with his thin hands held up in protest. "You grow more undutiful every day, Laura. This money would be of use to me--of use, you understand. It may be the corner-stone of the vast business which I shall re-construct. I will use it, Laura, and I will pay something--four, shall we say, or even four and a-half--and you may have it back on any day. And I will give security--the security of my--well, of my word of honour."
"It is quite impossible, papa," his daughter answered coldly. "It is not my money. Hector asked me to be his banker. Those were his very words. It is not in my power to lend it. As to what you say, Robert, you may be right or you may be wrong, but I certainly shall not give Mr. Raffles Haw or anyone else the money without Hector's express command."
"You are very right about not giving it to Mr. Raffles Haw," cried old McIntyre, with many nods of approbation. "I should certainly not let it go out of the family."
"Well, I thought that I would tell you."
Robert picked up his Tam-o'-Shanter and strolled out to avoid the discussion between his father and sister, which he saw was about to be renewed. His artistic nature revolted at these petty and sordid disputes, and he turned to the crisp air and the broad landscape to soothe his ruffled feelings. Avarice had no place among his failings, and his father's perpetual chatter about money inspired him with a positive loathing and disgust for the subject.
Robert was lounging slowly along his favourite walk which curled over the hill, with his mind turning from the Roman invasion to the mysterious millionaire, when his eyes fell upon a tall, lean man in front of him, who, with a pipe between his lips, was endeavouring to light a match under cover of his cap.