Hastie was a good fellow, but he was rough, strong-fibred, with no imagination or sympathy. He could not tolerate departures from what he looked upon as the model type of manliness. If a man could not be measured by a public-school standard, then he was beyond the pale with Hastie. Like so many who are themselves robust, he was apt to confuse the constitution with the character, to ascribe to want of principle what was really a want of circulation. Smith, with his stronger mind, knew his friend's habit, and made allowance for it now as his thoughts turned towards the man beneath him.
There was no return of the singular sound, and Smith was about to turn to his work once more, when suddenly there broke out in the silence of the night a hoarse cry, a positive scream--the call of a man who is moved and shaken beyond all control. Smith sprang out of his chair and dropped his book. He was a man of fairly firm fibre, but there was something in this sudden, uncontrollable shriek of horror which chilled his blood and pringled in his skin. Coming in such a place and at such an hour, it brought a thousand fantastic possibilities into his head. Should he rush down, or was it better to wait? He had all the national hatred of making a scene, and he knew so little of his neighbour that he would not lightly intrude upon his affairs. For a moment he stood in doubt and even as he balanced the matter there was a quick rattle of footsteps upon the stairs, and young Monkhouse Lee, half dressed and as white as ashes, burst into his room.
"Come down!" he gasped. "Bellingham's ill."
Abercrombie Smith followed him closely down stairs into the sitting-room which was beneath his own, and intent as he was upon the matter in hand, he could not but take an amazed glance around him as he crossed the threshold. It was such a chamber as he had never seen before--a museum rather than a study. Walls and ceiling were thickly covered with a thousand strange relics from Egypt and the East. Tall, angular figures bearing burdens or weapons stalked in an uncouth frieze round the apartments. Above were bull-headed, stork-headed, cat-headed, owl-headed statues, with viper-crowned, almond-eyed monarchs, and strange, beetle-like deities cut out of the blue Egyptian lapis lazuli. Horus and Isis and Osiris peeped down from every niche and shelf, while across the ceiling a true son of Old Nile, a great, hanging-jawed crocodile, was slung in a double noose.
In the centre of this singular chamber was a large, square table, littered with papers, bottles, and the dried leaves of some graceful, palm-like plant. These varied objects had all been heaped together in order to make room for a mummy case, which had been conveyed from the wall, as was evident from the gap there, and laid across the front of the table. The mummy itself, a horrid, black, withered thing, like a charred head on a gnarled bush, was lying half out of the case, with its clawlike hand and bony forearm resting upon the table. Propped up against the sarcophagus was an old yellow scroll of papyrus, and in front of it, in a wooden armchair, sat the owner of the room, his head thrown back, his widely-opened eyes directed in a horrified stare to the crocodile above him, and his blue, thick lips puffing loudly with every expiration.
"My God! he's dying!" cried Monkhouse Lee distractedly.
He was a slim, handsome young fellow, olive- skinned and dark-eyed, of a Spanish rather than of an English type, with a Celtic intensity of manner which contrasted with the Saxon phlegm of Abercombie Smith.
"Only a faint, I think," said the medical student. "Just give me a hand with him. You take his feet. Now on to the sofa. Can you kick all those little wooden devils off? What a litter it is! Now he will be all right if we undo his collar and give him some water. What has he been up to at all?"
"I don't know. I heard him cry out. I ran up. I know him pretty well, you know. It is very good of you to come down."
"His heart is going like a pair of castanets," said Smith, laying his hand on the breast of the unconscious man.