In the centre, with all the pomp of mediaeval heraldry, starred and spangled with the Tudor badges, the two bronze figures of Henry and his wife lay side by side upon their tomb. The guide read out the quaint directions in the king's will, by which they were to be buried 'with some respect to their Royal dignity, but avoiding damnable pomp and outrageous superfluities!' There was, as Frank remarked, a fine touch of the hot Tudor blood in the adjectives. One could guess where Henry the Eighth got his masterful temper. Yet it was an ascetic and priest-like face which looked upwards from the tomb.

They passed the rifled tombs of Cromwell, Blake, and Ireton--the despicable revenge of the men who did not dare to face them in the field,--and they marked the grave of James the First, who erected no monument to himself, and so justified in death the reputation for philosophy which he had aimed at in his life. Then they inspected the great tomb of Villiers, Duke of Buckingham, as surprising and as magnificent as his history, cast a glance at the covering of plucky little George the Second, the last English king to lead his own army into battle, and so onwards to see the corner of the Innocents, where rest the slender bones of the poor children murdered in the Tower.

But now the guide had collected his little flock around him again, with the air of one who has something which is not to be missed. 'You will stand upon the step to see the profile,' said he, as he indicated a female figure upon a tomb. 'It is the great Queen Elizabeth.'

It was a profile and a face worth seeing--the face of a queen who was worthy of her Shakespeares upon the land and her Drakes upon the sea. Had the Spanish king seen her, he would have understood that she was not safe to attack--this grim old lady with the eagle nose and the iron lips. You could understand her grip upon her cash-box, you could explain her harshness to her lovers, you could realise the confidence of her people, you could read it all in that wonderful face.

'She's splendid,' said Frank.

'She's terrible,' said Maude.

'Did I understand you to say, sir,' asked the American, 'that it was this lady who beheaded the other lady, Queen of Scotland, whom we saw 'way back in the other compartment?'

'Yes, sir, she did.'

'Well, I guess if there was any beheading to be done, this was the lady to see that it was put through with promptness and despatch. Not a married lady, I gather?'

'No, sir.'

'And a fortunate thing for somebody. That woman's husband would have a mean time of it, sir, in my opinion.'

'Hush, poppa,' said the two daughters, and the procession moved on. They were entering the inner chapel of all, the oldest and the holiest, in which, amid the ancient Plantagenet kings, there lies that one old Saxon monarch, confessor and saint, the holy Edward, round whose honoured body the whole of this great shrine has gradually risen. A singular erection once covered with mosaic work, but now bare and gaunt, stood in the centre.

'The body of Edward the Confessor is in a case up at the top,' said the guide. 'This hollow place below was filled with precious relics, and the pilgrims used to kneel in these niches, which are just large enough to hold a man upon his knees. The mosaic work has been picked out by the pilgrims.'

'What is the date of the shrine?' asked Frank.

'About 1250, sir. The early kings were all buried as near to it as they could get, for it was their belief in those days that the devil might carry off the body, and so the nearer they got to the shrine the safer they felt. Henry the Fifth, who won the battle of Agincourt, is there. Those are the actual helmet, shield, and saddle which he used in the battle upon the crossbeam yonder. That king with the grave face and the beard is Edward the Third, the father of the Black Prince. The Black Prince never lived to ascend the throne, but he was the father of the unfortunate Richard the Second, who lies here--this clean-shaven king with the sharp features.

A Duet Page 19

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