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A Test of Poetry (Zukovsky, Louis. V. 1.)

A Test of Poetry (Zukovsky, Louis. V. 1.)
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Manufacturer: Wesleyan
Author: Louis Zukofsky
Publisher: Wesleyan
Average Customer Rating: Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5Average rating of 5.0/5
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A Test of Poetry (Zukovsky, Louis. V. 1.) Description

Binding: Paperback
Dewey Decimal Number: 808.81
EAN: 9780819564023
ISBN: 0819564028
Label: Wesleyan
Manufacturer: Wesleyan
Number Of Items: 1
Book Pages: 178
Publication Date: 2000-03-01
Publisher: Wesleyan
Studio: Wesleyan

Editorial Review of A Test of Poetry (Zukovsky, Louis. V. 1.)


By juxtaposing several translations of the same passage from Homer; an elegy from Ovid and lines from Herrick that read like an adaptation of Ovid; or a 15th-century poem about a rooster and a contemporary poem about white chickens, Louis Zukofsky has established a means for judging the values of poetic writing.

A wonderful education for the fledgling poet, this handbook, first published in 1948, is the best elucidation of Zukofsky's "objectivist" premises for recognizing value in specific instances of poetry.


Customer Reviews of A Test of Poetry (Zukovsky, Louis. V. 1.)

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Review Summary: Give It All The Stars In The Sky
Review: Poor poetry. Either it smothers under tons of academic pretension, or it is retailed as pop entertainment in poetry slams. It seems sometimes that Robert Pinsky is the only one with a good handle on the popular appeal of this emotional/intellectual art. But I bet you Pinsky has this book and refers to it regularly. This is the most hard-headed, economical poetry criticism, completely free of cant and pretension; equally free of stylishness. Zukovsky gives us, as Donald Barthelme once wrote, "the red meat on the rug." The form of the book is disarmingly simple: Selected quotes, side by side, with the occasional footnote. Zukovsky lets you figure things out yourself, and when you refer to his notes, you are nearly always rewarded with the notion that you and he are at least on the same planet when it comes to deciding what is good and what is not so good about poetry. Some of the selections in Middle English or Scots dialect are tough going, but you soon discover that it is as much sound as meaning that is important. In any event, there are plentiful and helpful footnotes. If you're lucky, you've never read any poetry criticism and can leap into this book unbiased and unafraid. If (like your reviewer) you had to read a lot of it in college, you'll feel positively liberated.


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