e.e. cummings is without question one of the major poets of this century, and this volume, first published in 1959, is indispensable for every lover of modern lyrical verse. It contains one hundred of cumming's wittiest and most profound poems, harvested from thirty-five of the most radically creative years in contemporary American poetry. These poems exhibit all the extraordinary lyricism, playfulness, technical ingenuity, and compassion for which cummings is famous. They demonstrate beautifully his extrapolations from traditional poetic structures and his departures from them, as well as the unique synthesis of lavish imagery and acute artistic precision that has won him the adulation and respect of critics and poetry lovers everywhere. "e.e. cummings is a concentrate of titanic significance, 'a positive character'; and only ingenuousness could attempt to suggest in a word the 'heroic' aspect of his painting, his poems, and his resistances. He does not make aesthetic mistakes."-Marianne Moore; "To my way of thinking cummings is, within his field of personal emotion, the lyrical field, one of the inventors of our time. He puts his inventions down with an unexpected refurbishing of phrase and a filigree delicacy of hairbreadth exact statement that is a continual challenge."-John Dos Passos; "No one else has ever made avant-garde, experimental poems so attractive both to the general and the special reader; since the early twenties, cummings has been more widely imitated and easily appreciated than any other modernist poet."-Randall Jarrell; "He has more control over language than any poet since Joyce. . . . Everybody delights in reading him."-Karl Shapiro.
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Review Summary: How Do You Like Your Blue Eyed Boy Now?
Review: I got this book in a used bookstore that was owned by a "former hippie"...is there such a thing, I always felt once a hippie, always a hippie...I didn't even ask for him to recommend it to me, he just looked in my eyes and said, "Hey, man, do you want to read something great?"
I read the whole book from cover to cover in the bookstore and I knew I had to have it as part of my collection. When the old hippie put the book in a bag he just smiled at me as if to say, "I told you so..."
So now I'm telling you, you who is looking for something crazybeautiful in which to pour your lovelyeyeslikemine over. Carry this book with you. Go to the local coffeehouse with pen in hand and make notes in the margins. Talk to Mr. Cummings as though he was right in front of you, because in a way, he never died. He is still very much alive and he especially loves new seekers of his words.
There are certain things that one must read before they exit the planet and this is one of them. You may not go crazy over it as much as I did, and if you weren't the least bit impressed I suggest that you make an appointment with the doctor and see if you have a pulse.
This little book is de-light-full and will work its magic in you if you let it.
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Review Summary: A great starting point
Review: I am just now rediscovering poetry. I've always enjoyed it as a teenager, so I bought three books by word-of-mouth this year. I can't say this one was my favorite, but it is a classic! I am sure the effect of Cummings at the time was great, but I strongly suggest that readers take in the writers of our day. This book is a great starting point, but it only gives you a history of what's going on with more contemporary poets.
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Review Summary: I'd rather learn from one bird how to sing than teach ten thousand stars how not to dance
Review: I was determined to hate e.e.cummings. The quirks of his spelling and punctuation alone seemed to me to be contrived and overly pretentious and I felt instinctively (without reading it) that his poetry must be some sort of grand put-on. I am even today still not completely convinced he did not suffer some form of mild to severe brain damage (perhaps progressive) that increasingly affected his later writings. However, once I was introduced to the man through this excellent collection, I could no longer deny the stunning originality of his poetry or the gorgeous music of his lyrics, particularly when read aloud (most effectively and rewardingly to an adoring female audience of one). I have been converted into an admirer through this collection.
100 SELECTED POEMS is a fine and concise introduction to the works of this nonconformist poet. There is a sampling of his very best poems and enough variety to sway all doubters. This collection wisely (I feel) avoids the more terrifyingly eccentric typography of some of his more notorious efforts, though some of the later poems in this collection push the envelope far enough to be discomforting (but in a good way). No collection of American poetry would be complete without e.e.cummings, and this book rattles like a fragment of angry candy.
Jeremy W. Forstadt
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Review Summary: A thorough but concise introduction to Cummings
Review: This sweet little volume is a great introduction to Cummings' work...perfect as a gift to someone who's expressed an interest in him. The small, thin size makes it MUCH more portable than a 20-pound "complete works" volume!
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Review Summary: One of the best
Review: Cummings is one of the best American minor poets. He invents a language, a style a way of saying things all his own. And he does this in memorable lines and with his own kind of beauty. "What of a much of a which of a wind " " There's a hell of a universe ,next door. Let's Go" " I sing of Olaf, glad and big " " Nothing not even the rain has such small hands" The style is magnetic and there is a most individualistic celebration of life and love.
Appealing. But without the largeness of Whitman or the mind of Dickinson or the music of Stevens,it is not at the very highest level.
And also sharing with Pound and Eliot, and to a lesser degree Hemingway and Fitzgerald the Anti- Semitism of his time which makes it therefore almost impossible for me to read the stuff with uncritical joy as I would like to.