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Memory's Daughters: The Material Culture of Remembrance in Eighteenth-Century America

Memory's Daughters: The Material Culture of Remembrance in Eighteenth-Century America
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Manufacturer: Cornell University Press
Author: Susan M. Stabile
Publisher: Cornell University Press
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Memory's Daughters: The Material Culture of Remembrance in Eighteenth-Century America Description

Binding: Hardcover
Dewey Decimal Number: 974.81102
EAN: 9780801440311
ISBN: 0801440319
Label: Cornell University Press
Manufacturer: Cornell University Press
Number Of Items: 1
Book Pages: 336
Publication Date: 2004-04
Publisher: Cornell University Press
Studio: Cornell University Press

Editorial Review of Memory's Daughters: The Material Culture of Remembrance in Eighteenth-Century America


A renowned literary coterie in eighteenth-century Philadelphia—Elizabeth Fergusson, Hannah Griffitts, Deborah Logan, Annis Stockton, and Susanna Wright—wrote and exchanged thousands of poems and maintained elaborate handwritten commonplace books of memorabilia. Through their creativity and celebrated hospitality, they initiated a salon culture in their great country houses in the Delaware Valley. In this stunningly original and heavily illustrated book, Susan M. Stabile shows that these female writers sought to memorialize their lives and aesthetic experience—a purpose that stands in marked contrast to the civic concerns of male authors in the republican era.

Drawing equally on material culture and literary history, Stabile discusses how the group used their writings to explore and at times replicate the arrangement of their material possessions, including desks, writing paraphernalia, mirrors, miniatures, beds, and coffins. As she reconstructs the poetics of memory that informed the women's lives and structured their manuscripts, Stabile focuses on vernacular architecture, penmanship, souvenir collecting, and mourning.

Empirically rich and nuanced in its readings of different kinds of artifacts, this engaging work tells of the erasure of the women's lives from the national memory as the feminine aesthetic of scribal publication was overshadowed by the proliferating print culture of late eighteenth-century America.


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