The author begins his "nonlectures" with the warning "I haven't the remotest intention of posing as a lecturer." Then, at intervals, he proceeds to deliver the following:
1. i & my parents
2. i & their son
3. i & selfdiscovery
4. i & you & is
5. i & now & him
6. i & am & santa claus
These talks contain selections from the poetry of Wordsworth, Donne, Shakespeare, Dante, and others, including e.e. cummings. Together, it forms a good introduction to the work of e.e. cummings.
For the mature Cummings fan, this volume is a must. It traces the genesis of Cummings as poet and as man. It gives us his opinion (at which sophomores might marvel) that no one should venture free verse until he has MASTERED the sonnet, rondeau, ballade, etc. It gives us a syllabus of poems that he loved in his youth and continued to love in his adulthood: Dante, Swinburne, Shakespeare's 116th sonnet, Charles d'Orleans, Walther von der Vogelweide, Shelley, Keats. There are words of praise for Dante Gabriel Rossetti's sonnets. There are ten of E E Cummings' sonnets included in these lectures (but my copy of "i" contains three significant typographical howlers).
We see the libertarian Cummings, the man who "values freedom" and abominates "the subhuman superstate USSR." We see his almost impenetrable parody of Communism in a snippet of his book EIMI, about a trip to Leninist Moscow. We see bits of the play "Santa Claus," his gleeful proverbs called "jottings," and a few paragraphs in defense of Ezra Pound.
We have in the six nonlectures the heart of a man in love with life and spring and joy and birth and (yes of course) love. "To feel something is to be alive." And woe betide the reader who feels nothing when she or he reads these marvellous pages.