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Girls on the Run: A Poem

Girls on the Run: A Poem
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Manufacturer: Farrar Straus Giroux
Author: John Ashbery
Publisher: Farrar Straus Giroux
Average Customer Rating: Average rating of 4.5/5Average rating of 4.5/5Average rating of 4.5/5Average rating of 4.5/5Average rating of 4.5/5
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Girls on the Run: A Poem Description

Binding: Hardcover
Dewey Decimal Number: 811.54
EAN: 9780374162702
ISBN: 0374162700
Label: Farrar Straus Giroux
Manufacturer: Farrar Straus Giroux
Number Of Items: 1
Book Pages: 55
Publication Date: 1999-04
Publisher: Farrar Straus Giroux
Studio: Farrar Straus Giroux

Editorial Review of Girls on the Run: A Poem


A book-length poem that is at once tragic and hilarious.

Girls on the Run is a poem loosely based on the works of the "outsider" artist Henry Darger (1892-1972), a recluse who toiled for decades at an enormous illustrated novel about the adventures of a plucky band of little girls. The Vivians are threatened by human tormentors, supernatural demons, and cataclysmic storms; their calmer moments are passed in Edenic landscapes. Darger traced the figures from comic strips, coloring books, and other ephemeral sources, filling in the backgrounds with luscious watercolor. John Ashbery's Girls on the Run creates a similar childlike world of dreamy landscapes, lurking terror, and veiled eroticism. Its fractured narrative mode almost (but never quite) coalesces into a surrealist adventure story for juvenile adults.



Customer Reviews of Girls on the Run: A Poem

Customer Rating: Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5Average rating of 4/5
Review Summary: 3.75 stars : I, too, find him prepossessing
Review: Predictable surprises -- and a few unpredictable ones -- inhabit this volume, a single long poem loosely based on the illustrations of Henry Darger. There are chuckleworthy phrases that rattle about the brain with a happy insouciance for several days after one has read the thing. "The oxymoron gets his rocks off" and "pink shrouds fell on the pansy jamboree." And we like going for the ride, even if we get a little dizzy and a little seasick. The "androgynous truths" bubble perkily to the surface, in a verbal universe where what matters matters as much as what doesn't matter. We know a few of the magician's tricks, but there are always a few swerves and slides which we can't anticipate. The honey drips from a blighted bough -- or is it a bright and sprightly bough? -- and the housepets lap the gruel in their gaily-coloured bowls, and the narrator stands back and lets it all happen. As with anything by Ashbery, there are unwholesome things and things from which the reader runs away, but we marvel at the ingenuity nonetheless.

Customer Rating: Average rating of 2/5Average rating of 2/5Average rating of 2/5Average rating of 2/5Average rating of 2/5
Review Summary: Ashbery and Naive Literature
Review: I picked this up on impulse. I'm interested in the work of Henry J. Darger. But I was not taken by this book at all. Ashbery flows a lot of beautiful verbiage together. But it's incomprehensible at a first reading and I'm not going to spend more time trying to root anything out of it. It seems like a lot of surrealist automatic writing. There were occasional images that would surface in an appealing way like, "count the dogs as furniture as otherwise there will be no chairs," but few of the images recurred enough to give any sense of narrative or unifying theme. I bet Darger's naive literature is a lot more fascinating than this.

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Review Summary: Pastoral, apocalyptic fin-de-siecle masterpiece
Review: I, too, have always admired but never been bowled over by John Ashberry's work. With this work I am convinced he is our greatest American poet. Since I am familiar with Henry Darger's pictures and style, Ashberry's imagery seems natural even as it is surreal. The two share an aesthetic of using common cultural artifacts and twisting them so that even though you're staring right at them, you no longer recognize what you're seeing. It is a dream language, and Ashberry has never been so adept at navigating that territory. The poetry, like Darger's paintings, mix the pastoral and the apocalyptic, the innocent and the decadent with such unsettling virtuostic ease that you're not sure which is which. If I had to pick a poetry to compare it to, I might pick Blake--both for the lyric sweetness and hinted threats of "Innocence and Experience," and the cultural commentary/prophecy of his later, longer work. If, like me, your experience with Ashberry's work has left you shrugging, this os the place to start. I don't read much poetry anymore--this will reaffirm your faith in it.

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Review Summary: Most great
Review: Words very good, yes. Ashbery writes best good book. Yes, buy it, good, yes.

Customer Rating: Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5Average rating of 5/5
Review Summary: Good beach reading!
Review: This is the very favorite book that I read. It has an author by John Ashbery. It is real poetry. I wanted to read it 2x before I read it. It is good for the beach reading (date: June 18). Please bring a dictionary to look up the different words. Who are the girls (names)? I took this book to everywhere I was going one day and finished that book in 3 days after going 19 places. Please read this enjoyable imagination.


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