The Purse

Honore de Balzac


The Purse Page 12

What, have you not known her for what she is by the way she holds her bag?"

The two friends walked up and down for some time, and several young men who knew Souchet or Schinner joined them. The painter's adventure, which the sculptor regarded as unimportant, was repeated by him.

"So he, too, has seen that young lady!" said Souchet.

And then there were comments, laughter, innocent mockery, full of the liveliness familiar to artists, but which pained Hippolyte frightfully. A certain native reticence made him uncomfortable as he saw his heart's secret so carelessly handled, his passion rent, torn to tatters, a young and unknown girl, whose life seemed to be so modest, the victim of condemnation, right or wrong, but pronounced with such reckless indifference. He pretended to be moved by a spirit of contradiction, asking each for proofs of his assertions, and their jests began again.

"But, my dear boy, have you seen the Baroness' shawl?" asked Souchet.

"Have you ever followed the girl when she patters off to church in the morning?" said Joseph Bridau, a young dauber in Gros' studio.

"Oh, the mother has among other virtues a certain gray gown, which I regard as typical," said Bixiou, the caricaturist.

"Listen, Hippolyte," the sculptor went on. "Come here at about four o'clock, and just study the walk of both mother and daughter. If after that you still have doubts! well, no one can ever make anything of you; you would be capable of marrying your porter's daughter.

Torn by the most conflicting feelings, the painter parted from his friends. It seemed to him that Adelaide and her mother must be superior to these accusations, and at the bottom of his heart he was filled with remorse for having suspected the purity of this beautiful and simple girl. He went to his studio, passing the door of the rooms where Adelaide was, and conscious of a pain at his heart which no man can misapprehend. He loved Mademoiselle de Rouville so passionately that, in spite of the theft of the purse, he still worshiped her. His love was that of the Chevalier des Grieux admiring his mistress, and holding her as pure, even on the cart which carries such lost creatures to prison. "Why should not my love keep her the purest of women? Why abandon her to evil and to vice without holding out a rescuing hand to her?"

The idea of this mission pleased him. Love makes a gain of everything. Nothing tempts a young man more than to play the part of a good genius to a woman. There is something inexplicably romantic in such an enterprise which appeals to a highly-strung soul. Is it not the utmost stretch of devotion under the loftiest and most engaging aspect? Is there not something grand in the thought that we love enough still to love on when the love of others dwindles and dies?

Hippolyte sat down in his studio, gazed at his picture without doing anything to it, seeing the figures through tears that swelled in his eyes, holding his brush in his hand, going up to the canvas as if to soften down an effect, but not touching it. Night fell, and he was still in this attitude. Roused from his moodiness by the darkness, he went downstairs, met the old admiral on the way, looked darkly at him as he bowed, and fled.

He had intended going in to see the ladies, but the sight of Adelaide's protector froze his heart and dispelled his purpose. For the hundredth time he wondered what interest could bring this old prodigal, with his eighty thousand francs a year, to this fourth story, where he lost about forty francs every evening; and he thought he could guess what it was.

The next and following days Hippolyte threw himself into his work, and to try to conquer his passion by the swift rush of ideas and the ardor of composition. He half succeeded. Study consoled him, though it could not smother the memories of so many tender hours spent with Adelaide.

One evening, as he left his studio, he saw the door of the ladies' rooms half open. Somebody was standing in the recess of the window, and the position of the door and the staircase made it impossible that the painter should pass without seeing Adelaide. He bowed coldly, with a glance of supreme indifference; but judging of the girl's suffering by his own, he felt an inward shudder as he reflected on the bitterness which that look and that coldness must produce in a loving heart. To crown the most delightful feast which ever brought joy to two pure souls, by eight days of disdain, of the deepest and most utter contempt!--A frightful conclusion. And perhaps the purse had been found, perhaps Adelaide had looked for her friend every evening.

This simple and natural idea filled the lover with fresh remorse; he asked himself whether the proofs of attachment given him by the young girl, the delightful talks, full of the love that had so charmed him, did not deserve at least an inquiry; were not worthy of some justification. Ashamed of having resisted the promptings of his heart for a whole week, and feeling himself almost a criminal in this mental struggle, he called the same evening on Madame de Rouville.

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