John Webster
The Duchess of Malfi

by

John Webster

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The Duchess of Malfi Page 01

The Duchess of Malfi

by John Webster

Introductory Note

Of John Webster's life almost nothing is known. The dates 1580-1625 given for his birth and death are conjectural inferences, about which the best that can be said is that no known facts contradict them.

The first notice of Webster so far discovered shows that he was collaborating in the production of plays for the theatrical manager, Henslowe, in 1602, and of such collaboration he seems to have done a considerable amount. Four plays exist which he wrote alone, "The White Devil," "The Duchess of Malfi," "The Devil's Law-Case," and "Appius and Virginia."

"The Duchess of Malfi" was published in 1623, but the date of writing may have been as early as 1611. It is based on a story in Painter's "Palace of Pleasure," translated from the Italian novelist, Bandello; and it is entirely possible that it has a foundation in fact. In any case, it portrays with a terrible vividness one side of the court life of the Italian Renaissance; and its picture of the fierce quest of pleasure, the recklessness of crime, and the worldliness of the great princes of the Church finds only too ready corroboration in the annals of the time.

Webster's tragedies come toward the close of the great series of tragedies of blood and revenge, in which "The Spanish Tragedy" and "Hamlet" are landmarks, but before decadence can fairly be said to have set in. He, indeed, loads his scene with horrors almost past the point which modern taste can bear; but the intensity of his dramatic situations, and his superb power of flashing in a single line a light into the recesses of the human heart at the crises of supreme emotion, redeems him from mere sensationalism, and places his best things in the first rank of dramatic writing.

The Duchess of Malfi

Dramatis Personae FERDINAND [Duke of Calabria]. CARDINAL [his brother]. ANTONIO [BOLOGNA, Steward of the Household to the Duchess]. DELIO [his friend]. DANIEL DE BOSOLA [Gentleman of the Horse to the Duchess]. [CASTRUCCIO, an old Lord]. MARQUIS OF PESCARA. [COUNT] MALATESTI. RODERIGO, > SILVIO, > [Lords]. GRISOLAN, > DOCTOR. The Several Madmen.

DUCHESS [OF MALFI]. CARIOLA [her woman]. [JULIA, Castruccio's wife, and] the Cardinal's mistress. [Old Lady].

Ladies, Three Young Children, Two Pilgrims, Executioners, Court Officers, and Attendants.

Act I

Scene I<1>

[Enter] ANTONIO and DELIO

DELIO. You are welcome to your country, dear Antonio; You have been long in France, and you return A very formal Frenchman in your habit: How do you like the French court?

ANTONIO. I admire it: In seeking to reduce both state and people To a fix'd order, their judicious king Begins at home; quits first his royal palace Of flattering sycophants, of dissolute And infamous persons,--which he sweetly terms His master's master-piece, the work of heaven; Considering duly that a prince's court Is like a common fountain, whence should flow Pure silver drops in general, but if 't chance Some curs'd example poison 't near the head, Death and diseases through the whole land spread. And what is 't makes this blessed government But a most provident council, who dare freely Inform him the corruption of the times? Though some o' the court hold it presumption To instruct princes what they ought to do, It is a noble duty to inform them What they ought to foresee.<2>--Here comes Bosola, The only court-gall; yet I observe his railing Is not for simple love of piety: Indeed, he rails at those things which he wants; Would be as lecherous, covetous, or proud, Bloody, or envious, as any man, If he had means to be so.--Here's the cardinal.

[Enter CARDINAL and BOSOLA]

BOSOLA. I do haunt you still.

CARDINAL. So.

BOSOLA. I have done you better service than to be slighted thus. Miserable age, where only the reward of doing well is the doing of it!

CARDINAL. You enforce your merit too much.

BOSOLA. I fell into the galleys in your service: where, for two years together, I wore two towels instead of a shirt, with a knot on the shoulder, after the fashion of a Roman mantle.

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