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Cousin Phillis (Hesperus Classics)
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Manufacturer: Hesperus Press
Author: Elizabeth Gaskell
Publisher: Hesperus Press
Average Customer Rating:
Our Price: $11.16
You Save: $ 2.79 ( 20% )
Usually ships in 1 to 3 weeks
Manufacturer: Hesperus Press
Author: Elizabeth Gaskell
Publisher: Hesperus Press
Average Customer Rating:
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Cousin Phillis (Hesperus Classics) Description
Binding: Paperback
Dewey Decimal Number: 823.8
EAN: 9781843911463
ISBN: 1843911469
Label: Hesperus Press
Manufacturer: Hesperus Press
Number Of Items: 1
Book Pages: 124
Publication Date: 2007-05-28
Publisher: Hesperus Press
Studio: Hesperus Press
Dewey Decimal Number: 823.8
EAN: 9781843911463
ISBN: 1843911469
Label: Hesperus Press
Manufacturer: Hesperus Press
Number Of Items: 1
Book Pages: 124
Publication Date: 2007-05-28
Publisher: Hesperus Press
Studio: Hesperus Press
Editorial Review of Cousin Phillis (Hesperus Classics)
A haunting, beautifully controlled novella, Cousin Phyllis is considered to be among Elizabeth Gaskell's finest short works. Lodging with a minister on the outskirts of London, Paul Manning is initially dismayed to discover that the uncle he must visit in the country is also a churchman. Yet far from the oppressively religious household he envisages, Manning is delighted to meet his genial relations—not least, his cousin Phyllis. But when Phyllis falls for the charms of his more sophisticated colleague, Manning's family ties render him powerless to prevent the inevitable heartbreak that ensues. Collaborator and friend of Charles Dickens and Wilkie Collins, Elizabeth Gaskell (1810–1865) is a leading figure in Victorian literature.
Customer Reviews of Cousin Phillis (Hesperus Classics)
Customer Rating:
Review Summary: No turning back
Review: Like Cranford and Wives and Daughters, Cousin Phillis is a variation on the themes that seemed to have preoccupied Elizabeth Gaskell: the changes wrought by mechanization and the different spheres in which men and women live and operate.
When the narrator, then 19, meets Phillis, her physical world is small, contained, and regular, predictably following the seasons as agricultural life does. Her intellectual life, however, is vast. She is comfortable with Latin and the principles of mechanics; she attempts to read Dante in Italian. As Jenny Uglow notes in the foreword, ". . . she does not crave 'independence,' but connection . . . She yearns to use her mind and give her heart." She wants to be a woman.
By contrast, the men around her are reshaping the world with their thought, their inventions, their ambition, and their work. Even the narrator, who admittedly lacks his father's inventive genius and Holdsworth's drive, is doing more than Phillis ever could simply by serving as Holdsworth's assistant.
With her flourishing intellectual curiosity and her growing sexual awareness, it's natural for Phillis to discard the pinafore that represents the restrictions placed on the Victorian woman-child and to desire a man whose tastes, abilities, and drive seem to parallel her own. The result is not surprising. As a woman, her opportunities are limited, while those of the man stretch across two continents and grow greater with each rail laid. It's clear who is destined to be disappointed.
As with the other novels, Gaskell captures a world within her own memory that in many ways had already ceased to exist. The narrator, older and married now, recalls in vivid detail an experience colored by the passage of time and by the changes that have transpired. The bogs, "all over with myrtle and soft moss," could not fail to be altered irrevocably by the railway line, nor could the Hope Farm, with its cozy "house place" and "the clock on the house-stairs perpetually clicking out the passage of the moments." Phillis's father learns that she cannot be kept in a pinafore and all that it represents, and the narrator "feared that she would never be what she had been before." No one is.
The narrator leaves us with enticing mysteries. What has prompted him to write about Phillis? What has happened? What does he want to accomplish by telling her story now? What is he trying to recapture? What happened to Phillis? What happened to the Hope Farm and its way of life that he so beautifully recalls and the tenor of which is so effectually altered by events?
Cousin Phillis is a tiny treasure--always evocative, never overwrought. We see Phillis and her natural evolution from child to woman with the narrator's wisdom of maturity and the clarifying, yet softening filters of time. The narrator--and Gaskell--leave Phillis trapped in time, changed, newly aware of the broadness of her desires and of the obstacles she faces, and determined to "go back to the peace of the old days"-- a hope that is nearly impossible to achieve. There is no going back, as Phillis must surely know.
Customer Rating:
Review Summary: Jane Austin fans please meet Elizabeth Gaskell
Review: Beautifully described subtlety of feeling against the backdrop of the English countryside just as England, as cousin Phyliss, are about to experience defining changes.
Review Summary: No turning back
Review: Like Cranford and Wives and Daughters, Cousin Phillis is a variation on the themes that seemed to have preoccupied Elizabeth Gaskell: the changes wrought by mechanization and the different spheres in which men and women live and operate.
When the narrator, then 19, meets Phillis, her physical world is small, contained, and regular, predictably following the seasons as agricultural life does. Her intellectual life, however, is vast. She is comfortable with Latin and the principles of mechanics; she attempts to read Dante in Italian. As Jenny Uglow notes in the foreword, ". . . she does not crave 'independence,' but connection . . . She yearns to use her mind and give her heart." She wants to be a woman.
By contrast, the men around her are reshaping the world with their thought, their inventions, their ambition, and their work. Even the narrator, who admittedly lacks his father's inventive genius and Holdsworth's drive, is doing more than Phillis ever could simply by serving as Holdsworth's assistant.
With her flourishing intellectual curiosity and her growing sexual awareness, it's natural for Phillis to discard the pinafore that represents the restrictions placed on the Victorian woman-child and to desire a man whose tastes, abilities, and drive seem to parallel her own. The result is not surprising. As a woman, her opportunities are limited, while those of the man stretch across two continents and grow greater with each rail laid. It's clear who is destined to be disappointed.
As with the other novels, Gaskell captures a world within her own memory that in many ways had already ceased to exist. The narrator, older and married now, recalls in vivid detail an experience colored by the passage of time and by the changes that have transpired. The bogs, "all over with myrtle and soft moss," could not fail to be altered irrevocably by the railway line, nor could the Hope Farm, with its cozy "house place" and "the clock on the house-stairs perpetually clicking out the passage of the moments." Phillis's father learns that she cannot be kept in a pinafore and all that it represents, and the narrator "feared that she would never be what she had been before." No one is.
The narrator leaves us with enticing mysteries. What has prompted him to write about Phillis? What has happened? What does he want to accomplish by telling her story now? What is he trying to recapture? What happened to Phillis? What happened to the Hope Farm and its way of life that he so beautifully recalls and the tenor of which is so effectually altered by events?
Cousin Phillis is a tiny treasure--always evocative, never overwrought. We see Phillis and her natural evolution from child to woman with the narrator's wisdom of maturity and the clarifying, yet softening filters of time. The narrator--and Gaskell--leave Phillis trapped in time, changed, newly aware of the broadness of her desires and of the obstacles she faces, and determined to "go back to the peace of the old days"-- a hope that is nearly impossible to achieve. There is no going back, as Phillis must surely know.
Customer Rating:
Review Summary: Jane Austin fans please meet Elizabeth Gaskell
Review: Beautifully described subtlety of feeling against the backdrop of the English countryside just as England, as cousin Phyliss, are about to experience defining changes.