"Musil belongs in the company of Joyce, Proust, Kafka, and Svevo. . . . (This translation) is a literay and intellectual event of singular importance."--New Republic.
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Review Summary: Just reemerged novel on the knife edge of the 19th and 20th centuries
Review: This extraordinary novel, told in non-linear time and with many eddies and currents, captures the last of the "golden years" of the 19th century--technically the early 20th--when people in Vienna still clung to their traditions, their emperor, their rigid social order. A microscopic look at the middle European world before the abyss told through the viewpoint of a highly attractive and intellectual man, too individual for his time, a man, perhaps, of the future.
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Review Summary: Nothing less than five stars!
Review: The last reviewer obviously does NOT appreciate Musil in any true sense. There are no "unnecessarily longwinded, only somewhat interesting, conversations" --the reader who thinks this way has definitely ignored Musil's central concept of "Essayismus," which is essential to any understanding of the book. With this "essayism" Musil strove to find the perfect balance between the antipodes of life--art and science (clearly evident in the book's style), precision and soul, intuition and logic. It is the path to Utopia.
Musil's "anti-Semitism": The last reviewer points this out as a factor which might put off some readers. This is comparable to putting an emphasis on Dostoevsky's alleged anti-Semitism--you end up missing the whole point. By the way, Musil's wife Martha was Jewish. After Hitler's rise to power, the Musils, like many other intellectuals, fled to Switzerland. I don't know where one finds any anti-Semitism in Musil.
This book is highly rewarding when given the time. Don't be turned off by the length. It is much easier to read than Joyce and Proust and can actually be a real page-turner. Anyone who gives it less than five stars is just not getting it.
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Review Summary: "the man without qualities" has some qualities
Review: this 1800 page book has been placed in the same league as "the remembrance of things past" and joyce's "ulysses". if one is not put off by musil's antisemitism, and unnecessarily longwinded, only somewhat interesting, conversations, one is more than rewarded by musil's keen obervational skills and ability to portray highly ideosyncratic, pathological, psychological states. musil is a genius at capturing the subtleties of sexual relations and their consequences. in my opinion, musil lacks the basic humanity of both proust and joyce; the book would be vastly improved if a good editor eliminated a good deal of the tiresome discussions.