The 8 pieces are "The Notorious Jumping Frog of Calaveras County," "Journalism in Tennessee," "About Barbers," "A Literary Nightmare," "The Stolen White Elephant," "The Private History of a Campaign that Failed," "Fenimore Cooper's Literary Offenses," and "How to Tell a Story." Twain satirizes gamblers, journalists, police detectives, international diplomacy, the military, and other things.
Particularly effective is the Civil War narrative "The Private History"; it's funny and bitingly satirical, but also surprisingly poignant as Twain reflects on the brutality of war. For laugh-out-loud funny, however, the elephant story is my favorite. A perfect book both for literature courses or just for individual pleasure reading.
This probably should really get 3 1/2 stars; it's better than a "three", but I can't quite bring myself to give it four.
There are eight short pieces by Twain; there's "The Notorious Jumping Frog Of Calaveras County", doubtless the most famous story here, and "Journalism in Tennessee", a marvellous exaggeration of cutthroat frontier journalism that is, as so much of Twain's work is, reminiscent of Dickens. Then there's "About Barbers", which starts as a commentary on what we now call Murphy's Law, and then moves on to complain of barbers who are intent on cutting the customer's hair the way THEY want it, and to blazes with what the customer wants -- a complaint that seems still relevant even today. Then follows another story with a point unaffected by the passage of time: "A Literary Nightmare", a complaint about advertising jingles that cannot be driven out of the brain with an icepick. Then we have "The Stolen White Elephant", in which Twain directs his satire at the deductive powers of would-be Sherlock Holmeses, and a self-deprecatory tale of his own foolishness during the Civil War ("The Private History of a Campaign That Failed"). Next up is my personal favorite, "Fenimore Cooper's Literary Offences", in which he gives elaborate reasons, in great detail, why he disagrees with the common wisdom that James Fenimore Cooper is a great writer (or, for that matter, can write at all.) (Perhaps I should find "Pathfinder" and "Deerslayer" on the book list here, and transcribe his comments.) And he closes with "How To Tell A Story", in which he gives advice that seems to me to be good advice for would-be stand-up comics.
The humor in some of these stories is a bit unsubtle, but certainly if you are fond of Twain, and haven't all of these stories in some other collection, it's worth the price of admission for even the least of them.