The Secret Agent: Centennial Editon (Signet Classics)
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Manufacturer: Signet Classics
Author: Joseph Conrad
Publisher: Signet Classics
Average Customer Rating: 



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The Secret Agent: Centennial Editon (Signet Classics) Description
Binding: Paperback
Dewey Decimal Number: 823.912
EAN: 9780451530509
ISBN: 0451530500
Label: Signet Classics
Manufacturer: Signet Classics
Number Of Items: 1
Book Pages: 272
Publication Date: 2007-04-03
Publisher: Signet Classics
Studio: Signet Classics
Editorial Review of The Secret Agent: Centennial Editon (Signet Classics)
Inspired by an actual attempt in 1894 to blow up London's Greenwich Observatory, here is a chillingly prophetic examination of contemporary terrorism-and the literary precursor to today's espionage thriller.
Customer Reviews of The Secret Agent: Centennial Editon (Signet Classics)
Customer Rating: 



Review Summary: Suspenseful & ironic: A Conrad classic
Review: Based on a true incident, Conrad tells the story of Verloc, the secret agent provocateur who is given the task of blowing up the Royal Observatory in London as a way of heaping scorn on anarchists in England. He sends his mentally deficient brother-in-law Stevie with the bomb, which blows up before he can reach the observatory. Stevie is annihilated and when Verloc's wife (Winnie) finds out what happens to her brother, she stabs Verloc with a carving knife.
Conrad insisted his novel was not a political work dealing with anarchy but was only a "work of the imagination." But he captured the seediness and moral deficiencies of everyone involved, from Verloc to Chief Inspector Heat. The last chapter, where Verloc's now-widow is duped by anarchist Tom Ossipon, who steals all her money, is rank with irony. The best chapter, though, the one around which the high reputation of the book revolves, is chapter 11: from its "She [Winnie] knows everything now" to Verloc's stabbing at the end, it ranks as one of Conrad's most suspenseful and dramatic chapters in all his books. [Alfred Hitchcock made use of the incidents in this work for his movie "Sabotage," though Hitch changed the ending and moved the time of the story up to the 1930s.]