Thomas Hardy's first love was poetry. It was not until 1898, when he was 58, that his first book of poetry, Wessex Poems was published. For the final years of his life he abandoned fiction and devoted himself entirely to poetry; he is now not only regarded as one of the most important English novelists but is also a poet of major stature and increasing popularity. The Complete Poems includes Hardy's more than 900 poems, complemented by detailed notes. Collected here are his eight books of verse, all the uncollected poems, Domicilium, and the songs from The Dynasts. This edition contains an additional poem, The Sound of Her.
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Review Summary: Perfect
Review: Perfect! What more needs to be said? This collection was delicious and is a treasure for any Hardy fan. Enjoy every bite!!
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Review Summary: Hardy Poems
Review: The book was in excellent condition and arrived as promptly as one could expect. As of this date I really haven't had a bad experience with any of my book orders. Thanks so much.
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Review Summary: Great poems from a great novelist
Review: Considering how depressing Hardy's novels can be, his poems are curiously uplifting, full of descriptive power and a love of rural England. Among his classics are "The Darkling Thrush", "Channel Firing" (great World War I poem), and "The Oxen" (beautiful Christmas poem about nostalgia and faith).
Like his novels, the poems illustrate Hardy's capturing of the past and his sense of something greater than us shaping our lives and our feelings. These are apparent in "Last Words to a Dumb Friend", his lament for his deceased cat. In this, the very home where the cat lived seems to resonate with the cat once he has passed to "the Dim" (i.e., beyond Death):
"And this house, which scarcely took
Impress from his little look,
By his faring to the Dim (NOTE: faring = travelling)
Grows all eloquent of him."
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Review Summary: The Poet of Past Time and Past Love
Review: Hardy had a life-long fascination with the paradox of memory: how people, events, and even isolated feelings can be buried by time and later resurrected in the fullness of emotional memory. His central aesthetic principle is that of `the exhumed emotion,' which one can wryly interpret as a graveyard variant of Wordsworth's "emotion recollected in tranquillity." But for Hardy, it was a mysterious capability, like his comment that "I am cut out by nature for a ghost-seer." Hardy's aesthetic of the "grotesque" frequently features past lovers as ghosts or elusive phantoms.
In "She, to Him III" he muses on the "souls of Now" who would disjoint / The mind from memory, making Life all aim, / And nothing left for Love to look upon." In this brief phrase, from the start of his career, can be found four of the major themes of his entire life and work: the present ("Now"), memory (past), Life, and Love, all in tension with one another.
The volume contains innumerable poems of unrequited love, regretted love, guilty love, repentant love, etc. etc. One of the great English poets of the 20th century. Ranks with Yeats and above Heaney.