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Moments of Being

Moments of Being
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Manufacturer: Harvest Books
Author: Virginia Woolf
Publisher: Harvest Books
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Moments of Being Description

Binding: Paperback
Dewey Decimal Number: 823.912
EAN: 9780156619189
ISBN: 0156619180
Label: Harvest Books
Manufacturer: Harvest Books
Number Of Items: 1
Book Pages: 240
Publication Date: 1985-08-23
Publisher: Harvest Books
Studio: Harvest Books

Editorial Review of Moments of Being


Moments of Being contains Virginia Woolf’s only autobiographical writing: “By far the most important book about Virginia Woolf...that has appeared since her death” [Angus Wilson, Observer (London)]. Edited and with an Introduction by Jeanne Schulkind; Index.



Customer Reviews of Moments of Being

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Review Summary: Essential reading for Woolf readers
Review: This biographical work is essential in understanding the author's greatest works. She discusses "scene making" and how it relates to memory. After reading this I plan to reread "To the Lighthouse" and "Mrs. Dalloway."

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Review Summary: Moments of Being by Virginia Woolf
Review: This collection of autobiographical essays was not published until 1976. They do not supplement the Diaries, but stand on their own as indispensable to an understanding of the novels and thinking of this revolutionary writer. They articulate - as the Diaries do not in an explicit way - her philosophy, and this alone makes the book essentail reading for anyone interested in Woolf or, indeed, modern fiction. But these essays offer more than that. They detail sensitive and at times painful background memories of her death-ridden childhood and adolescence, of the physical abuse by her half-brother, Gerald Duckworth.
To read 'Moments of Being' is not an exercise in the prurient, but to gain an understanding of the inner life of an extraoprdinary artist and human being.

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Review Summary: One of the Great Memoirs of the 20th century
Review: Virginia Woolf's Moments of Being is one of the great artifacts of literary modernism -- and it also possesses the virtue of being superbly written; few writers are of the caliber of Woolf when it comes to documenting the subtle nuances of human emotion and thought. Her voice is unwavering and clear; it is analytic and critical without every sacrificing its self-effacing quality and humility - and the clarity of its emotional tone. She handles the pain and loss in her life with a kind of imaginative double barreled shotgun: she destroys those that have inflicted pain on her, while exalting those that loved her. But as she hacks away at one and beatifies the other she always places both in very real, very human terms. There are also sparks of real humor here that cannot be overlooked, like the moment in the essay "Old Bloomsbury" when Lytton Strachey walks into the room and seeing a stain on Vanessa's white dressed pronounces "Semen?" and with one word ushers in the 20th centuries fixation with discussing sexual matters. We are to believe that one word carelessly said becomes the hallmark of an entire century.

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Review Summary: Possibly the greatest autobiographical work ever written
Review: Virginia's genius is all over this volume, esp in A Sketch of the Past. From the first sensations of childhood (waves splashing against the shore) to the tragedy of the death of her mother and sister, it is the most revealing work of creativity ever written. You'll learn about her life, her work, and even how you might become a great writer. Examine the parallels with To the Lighthouse and you'll be amazed. Yes, this is how she come to be what she is; and her life and what she writes.

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Review Summary: Woolf's most beautiful autobiographical writing
Review: People who have enjoyed Woolf's novels or diaries will surely find her essay "A Sketch of the Past" deeply moving and helpful in illuminating her other works. In "Sketch," the longest essay in this volume, Woolf recounts her earliest childhood memories--both beautiful (hearing the waves break on the shore at her family's summer home) and sinister (her stepbrother's unwelcome sexual advances when she was a small child). She develops a theory about memory and about transcendent experience in this essay. She discusses her powerful drive to reshape and write about the past: "I feel that strong emotion must leave its trace; and it is only a question of discovering how we can get ourselves attached to it, so that we shall be able to live our lives through from the start." In this essay Woolf proposes that in moments of ecstasy we have a meaningful vision of the world itself: "it is a constant idea of mine; that behind the cotton wool is hidden a pattern; that we--I mean all human beings--are connected with this; that the whole world is a work of art; that we are parts of the work of art. Hamlet or a Beethoven quartet is the truth about this vast mass that we call the world. But there is no Shakespeare, there is no Beethoven; certainly and emphatically there is no God; we are the words, we are the music; we are the thing itself. And I see this when I have a shock."


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