New chronology and updated further reading.
Edited with an Introduction by A. S. Byatt.
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Review Summary: Excellent writing and character development
Review: I had never heard much about 'The Mill on the Floss' before reading it, but I enjoyed other Eliot novels so I decided to try it. I usually enjoy plot-driven books, and this was a bit more character-driven, but I thoroughly enjoyed reading it. Eliot's writing (and, I'm sure, the editing) doesn't have the bogged down feel of many classics, and her descriptions--especially of places, but of people as well--are often brilliant. Her descriptions of education and women's 'place' in society are fascinating, and the interactions between characters are in many cases timeless. I strongly recommend the book even for those who are often 'classics-shy'. Though at times strong on description and slow on plot, this novel contains insights on relationships and a view on the education of women to which everyone should be exposed.
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Review Summary: "It's not right to sacrifice everything to other people's unreasonable feelings."
Review: The Mill on the Floss, published in 1860, traces the turmoil in the life of Maggie Tulliver, a young woman who has a streak of independence but who also feels close to her father and her brother and believes that she must always honor their feelings and wishes. Maggie's father is the owner of the Dorlcote Mill on the Floss River, a failing business drawing him into increasing debt to his relatives and creditors. Her brother Tom, with no interest in the mill, is encouraged to learn other skills which may suit him for a higher level of society. When the mill fails and is sold at auction to Lawyer Wakem, the Tullivers become social outcasts, at the mercy of creditors and dependent on their extended family.
Philip Wakem, son of Lawyer Wakem, is a hunchback who has been a school friend of Tom Tulliver and a special friend of Maggie, who treats him kindly and appreciates his intelligence and thoughtfulness. When the mill is sold to Wakem, Tom and Mr. Tulliver end all contact with the Wakem family, and though Maggie continues to see Philip privately, Tom eventually forces her to choose between the family and Philip. Another relationship with Stephen Guest, who has been courting her cousin Lucy, unleashes Maggie's passions and leads to a dramatic conclusion.
Throughout the novel George Eliot (the pen name of Mary Ann Evans) explores the many kinds of love in Maggie's life--her devoted love of her father, her dependence on and love for her brother, her intellectual and kindly love for Philip, and her passionate love of Stephen Guest. Creating a fully drawn character in Maggie, Eliot shows a full picture of a young woman of 1860, trying to be independent, trying to live according to society's strictures, and trying to be true to her own feelings, despite pressures from family and society. Eliot, who herself made the scandalous choice to live openly with a married man for twenty-six years, was thoroughly familiar with these issues herself, and her depictions of such themes as family loyalty and the social conventions and limitations of class carry the ring of truth.
Psychologically astute in the exploration of themes as they affect Maggie, Eliot amplifies these themes through imagery from nature, legend, and even religion. Often melodramatic in plot, the novel remains realistic, even autobiographical, in its attention to character. Though it is not as fully developed as her later novel Middlemarch, Mill on the Floss is still a well developed, thoughtful novel which goes far beyond the pulp fiction being serialized in newspapers and magazines during that time. Mary Whipple
Middlemarch (Signet Classics)
Daniel Deronda (Modern Library Classics)
Romola
Silas Marner, The Weaver of Raveloe
George Eliot: The Last Victorian
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Review Summary: Lengthy, but worth it
Review: This was a really sad, but really great novel. Granted, it's not an action packed novel, but if you like Dickens or Austen, and have a shred of patience (the novel is lengthy) you'll like this novel, too. I really felt for Maggie and her unrelenting desire to be loved and accepted by her family. Unfortunately, the way she goes about trying to earn their love and affections doesn't turn out the way she wants it to. This novel has it's share of melodrama, as much Victorian literature does. I liked this novel particularly because it doesn't center around passion/romance (although it has that too), but the love and closeness of family, and what a woman will do in order to have that. The characters in this novel are well written, and as shocked as I was by the ending, I thought it was really good. I was satisfied because finally there is a point in the story where I think Maggie was truly happy. I recommend this read wholeheartedly.
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Review Summary: Maggie: Whatta "Gell"
Review: I read this book for a Victorian Lit/Graduate class and I was a bit put off because others, who had read it before, disparaged it as tedious. Yet again, I learned that one cannot judge by means of conformity (ever!). This is perhaps one of the best Victorian novels ever written. Seriously.
Maggie is the slightly wayward and tomboyish (but undeniably goodhearted) daughter of a proud, stubborn, and provincial man, and a dull witted, ridiculous mother. She is sister to an immature and exasperating brother who believes he possesses the very kernel of justice within his beliefs and actions, but in truth is a selfish and undeniably cruel "bastard." Lastly, she is a companion (and "potential" lover) to Philip, the deformed, yet soft-spoken and educated son of her father's worst enemy...
The Mill on the Floss is a novel of sacrifice and determination, revenge and forgiveness, society and selfhood. And in case anyone cares, I read this 400+ page novel in two days. Not because of a dealine I had to meet, but because I could not seem to put it down.
Interested yet? Listen, if you already know that you love Victorian literature, you will not be disappointed in this text. It is absolutely full of surprises. Granted, the ending could be infinitely better, but alas it is what it is. Regardless, the ending of a book is not necessarily where its merit is at.
Furthermore, if you are into Queer Theory, you might find this text interesting reading as it plays with gender roles and expectations throughout.
George Eliot (i.e., Mary Ann Evans) was a master and equivalent, in my opinion, to the great Charles Dickens.
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Review Summary: Eliot is superb as always! I would give this 10 stars if I could
Review: This is Eliot's semi autobiographical novel, and tells the story of Maggie Tulliver and her brother Tom. The story takes place in the village of St. Ogg, and at the Mill on The Floss that's been in the Tulliver family for generations. Other reviewers have told enough of the story (in some instances too much) that I don't see the need to go into it again. I thoroughly enjoyed the way Eliot depicted the sibling relationship between Maggie and Tom with all of those ups and downs that we all have experienced with our siblings, and culminating in the final finish of the story that thoroughly blew me away. I think I just sat for a good ten minutes just saying Oh Wow over and over again, and then felt the need to seek out my brothers and give them both a big hug.
The joy of reading this novel or any other by Eliot is her gorgeous prose and brilliant characterizations, even with the minor characters. Just be warned, this is not an action packed, sit on the edge of your seat, can't put it down until it's finished type of novel. This is a story to savor and enjoy the multi-faceted characters and the author's glorious prose like a fine red wine or a box of chocolates (or both). If you are looking for high action and adventure, this is not the book for you. Highly recommended for any lover of 19th century English literature, not as dark and brooding as Hardy can be, but the prose is just as lovely, if not better.