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Scenes of Clerical Life (Penguin Classics)
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Author: George Eliot
Publisher: Penguin Classics
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Our Price: $8.50
You Save: $ 1.50 ( 15% )
Usually ships in 24 hours
Manufacturer: Penguin Classics
Author: George Eliot
Publisher: Penguin Classics
Average Customer Rating:
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Scenes of Clerical Life (Penguin Classics) Description
Binding: Paperback
Dewey Decimal Number: 823.8
EAN: 9780140436389
ISBN: 0140436383
Label: Penguin Classics
Manufacturer: Penguin Classics
Number Of Items: 1
Book Pages: 416
Publication Date: 1999-10-01
Publisher: Penguin Classics
Studio: Penguin Classics
Dewey Decimal Number: 823.8
EAN: 9780140436389
ISBN: 0140436383
Label: Penguin Classics
Manufacturer: Penguin Classics
Number Of Items: 1
Book Pages: 416
Publication Date: 1999-10-01
Publisher: Penguin Classics
Studio: Penguin Classics
Editorial Review of Scenes of Clerical Life (Penguin Classics)
A new edition of George Eliot's earliest published fictional work with a new Introduction and Notes reflecting recent scholarship
These stories, first published in Blackwood's Magazine in 1857, constitute George Eliot's fictional debut. They contain her earliest studies of what became enduring themes in her great novels: the impact of religious controversy and social change on provincial life and the power of love to transform the lives of individual men and women. Although Eliot would have to wait until the publication of her next work, Adam Bede, for fame and fortune, Scenes of Clerical Life won acclaim from a discerning readership, including Charles Dickens, who wrote: "I hope you will excuse my writing to you to express my admiration....The exquisite truth and delicacy, both of the humour and the pathos of those stories, I have never seen the like of." This Penguin Classics edition also features "How I Came to Write Fiction," Eliot's own recollection of her novelistic abilities.
These stories, first published in Blackwood's Magazine in 1857, constitute George Eliot's fictional debut. They contain her earliest studies of what became enduring themes in her great novels: the impact of religious controversy and social change on provincial life and the power of love to transform the lives of individual men and women. Although Eliot would have to wait until the publication of her next work, Adam Bede, for fame and fortune, Scenes of Clerical Life won acclaim from a discerning readership, including Charles Dickens, who wrote: "I hope you will excuse my writing to you to express my admiration....The exquisite truth and delicacy, both of the humour and the pathos of those stories, I have never seen the like of." This Penguin Classics edition also features "How I Came to Write Fiction," Eliot's own recollection of her novelistic abilities.
Customer Reviews of Scenes of Clerical Life (Penguin Classics)
Customer Rating:
Review Summary: George Eliot's first published fictional work is a neglected gem by the literary genius
Review: George Eliot (Mary Ann Evans) was born in Warwickshire in 1819. Her father was an estate manager and farmer. Little Mary Ann knew life in rural England. She would make rural Britain during the time of the industrial revolution her main fictional focus. She is the author of great classics "Middlemarch" "Adam Bede" "The Mill on the Floss" "Romola
and "Daniel Deronda/"
Prior to the publication of these classics there is the charming and touching work "Scenes of a Clerical Life." Mary Ann was living without benefit of clergy with the author/scientist/man of letters George Henry Lewes who couldn't divorce his mad wife to mary the homely but brilliant Mary Ann (she spoke seven languages and had written widely on biblical criticism, science, book reviews and essays of erudition and wit). Lewes suggested she try her hand at fiction. The result is this collection of three stories which was published monthly in the liberal "Westminster Review" owned by the Blackwood Family in 1857. It was later published in book form under the pen name of "George Eliot". Charles Dickens was the only critic who correctly observed that these stories had to have been written by a woman.
The three tales are:
1. The Sad Fortunes of the Rev. Amos Barton-The setting for this story as for the other two is the mythical Midlands town of Milby. Barton is an a very average cleryman who is not well liked by his parishoners. He is in dire poverty supporting several children and a sickly wife Millie. When Mrs. Barton dies we see how the church folks support Barton in his grief. The story is short and touching.
2. Mr. Gilfil's Love Story. This second clergyman in the trilogy of tales is a kindhearted old minister of the gospel. Eliot takes us back to 1788 to the story of his lost love for the beautiful Caterina. Caterina was born in Italy to an opera singer. When he died she was taken to England to be raised by a rich family. Her chief purpose is to sing for the family. She falls in love with a wealthy aristocratic soldier who dies. Mr. Gilfil who has loved her all along then marries Caterina. She herself dies in childbirth. Despite his grief Mr. Gilfil ministers for many years to the people in Milby. This tale is a tragic story of love and loss and
redemptive service to other people. Eliot told realistic stories about ordinary people. She is the a novelist of great psychological depth as well as able to puncture the balloons of hypocrisy always afloat in human society.
Janet's Repentance. Janet is a wealthy woman who is also a battered wife. She is married to Mr Dempster who is a wealthy powerful attorney. Dempster is also an incorrigble drunk and wife beater. One night he cast Janet out into the cold. She is rescued by kind friends and the saintly Rev. Mr. Tryan. We see Janet rescued from despair to a life of useful service. We also overhear debates by the townspeople (serving as a Greek chorus in Eliot's works) commenting on the theological controversies of the day.
These three stories would lead to George Eliot's name becoming known in the literary London world and among the reading publis. Soon her authorial star would rise high in the wild blue yonder of literary immortality. Do yourself a favor and read this book.
Customer Rating:
Review Summary: Eliot's first is still a landmark
Review: Eliot's first work here is still surprising in its form, its message, and its outlook. Eschewing the romantic elements of the early-mid 19th century, Eliot embraced (if not practically invented) realism--not necessarily that real life should constitute all texts, but that real people should inhabit them, changing characters, three-dimensional people with which the reader is nearly forced to sympathize. Eliot's narrators are constantly, though never tediously, beckoning our sympathies to these people--drab, regular, nondescript characters which still hold our fervent attention to the end.
I will not speak of the plots here, for you can look elsewhere for that. Suffice it to say that Eliot is the only feminist I will ever read. Her descriptions, always important and vital to the meaning of the story, are utterly incredible. This book is more like poetry in this regard--its imagery, its vibrancy.
If you buy this book, think of some of these questions:
-Why is it called "The Sad Fortunes of Amos Barton" and not "...of Milly Barton"?
-Always keep in mind the muddling of characters and concepts. Are there are any ideal characters in this book, or are nearly all characters both execrable and sympathetic at the same time? If there is an ideal character, why would Eliot do this? (Milly)
-When does Janet make her first appearance in her story? Why?
That's enough. This book isn't read enough. It's a fabulous introduction to Eliot, as well as one of her best works. Her scope here is much more focused than than of her other works, though not to disparage those too much...it's less than 400 pages, whereas Middlemarch is around 1000! Read this, then pick up Middlemarch.
If you want realism, and if you think Henry James isn't very readable, pick up this book.
Customer Rating:
Review Summary: Tales of Three Clergymen
Review: George Eliot's Scenes of Clerical Life consists of three tales involving three separate clergymen in England in the early 1800s. "The Sad Fortunes of the Reverend Amos Barton" is about the financially strapped curate of Shepperton who lacks tact, charm, and learning. Although he is initially unpopular with his parishioners, he earns their affection through his personal misfortune. The second tale, "Mr. Gilfil's Love Story," is about a parson at Shepperton (prior to the time of Amos Barton) who falls in love with Caterina, the daughter of an Italian singer, who, in turn, falls for someone else. When that someone else chooses another woman to be his wife, Mr. Gilfil deals courageously with the devastated Caterina, who is now at "the point of lunacy" because of the rejection. The third tale, "Janet's Repentance," has Reverend Edgar Tryan trying to stir up interest about the Evangelical Church in the religion-indifferent industrial town of Milby. The townfolk vigorously oppose Tryan's efforts in some very dramatic scenes. Janet, a female alcoholic who is frequently beaten by her husband, is at first resistant to Reverend Tryan, but later sees him as a fellow sufferer. She then seeks his guidance for personal problems, with positive results. All three tales are unabashedly sentimental and melodramatic. As this was Eliot's first attempt at fiction, one can see she had a ways to go before she developed the literary perfection that resonates in her later novels like Middlemarch. The tale about Amos Barton is my favorite because Eliot succeeded in making a drab character the hero of a story. The "sad fortunes of" should have been kept out of the title, though, because it suggests only the depressing side of the tale instead of the triumph of character it really is. The way Caterina in the Gilfil tale continues to find her singing the only way to "lift the pain from her heart" points out how a person may deal with grief by relying on an innate talent. The way Janet in the repentance tale goes from a kicked-about drunk to self-actualization is inspiring. Eliot's minor characters, such as the old women, the doctors, and the servants are well drawn, using the speech patterns and vernacular consistent with their respective class or degree of education. Overall, I recommend Scenes of Clerical Life as a fine introduction to George Eliot. However, I feel it is important to read Adam Bede immediately afterwards so one can see how quickly Eliot's ability to write fiction evolved into an art.
Review Summary: George Eliot's first published fictional work is a neglected gem by the literary genius
Review: George Eliot (Mary Ann Evans) was born in Warwickshire in 1819. Her father was an estate manager and farmer. Little Mary Ann knew life in rural England. She would make rural Britain during the time of the industrial revolution her main fictional focus. She is the author of great classics "Middlemarch" "Adam Bede" "The Mill on the Floss" "Romola
and "Daniel Deronda/"
Prior to the publication of these classics there is the charming and touching work "Scenes of a Clerical Life." Mary Ann was living without benefit of clergy with the author/scientist/man of letters George Henry Lewes who couldn't divorce his mad wife to mary the homely but brilliant Mary Ann (she spoke seven languages and had written widely on biblical criticism, science, book reviews and essays of erudition and wit). Lewes suggested she try her hand at fiction. The result is this collection of three stories which was published monthly in the liberal "Westminster Review" owned by the Blackwood Family in 1857. It was later published in book form under the pen name of "George Eliot". Charles Dickens was the only critic who correctly observed that these stories had to have been written by a woman.
The three tales are:
1. The Sad Fortunes of the Rev. Amos Barton-The setting for this story as for the other two is the mythical Midlands town of Milby. Barton is an a very average cleryman who is not well liked by his parishoners. He is in dire poverty supporting several children and a sickly wife Millie. When Mrs. Barton dies we see how the church folks support Barton in his grief. The story is short and touching.
2. Mr. Gilfil's Love Story. This second clergyman in the trilogy of tales is a kindhearted old minister of the gospel. Eliot takes us back to 1788 to the story of his lost love for the beautiful Caterina. Caterina was born in Italy to an opera singer. When he died she was taken to England to be raised by a rich family. Her chief purpose is to sing for the family. She falls in love with a wealthy aristocratic soldier who dies. Mr. Gilfil who has loved her all along then marries Caterina. She herself dies in childbirth. Despite his grief Mr. Gilfil ministers for many years to the people in Milby. This tale is a tragic story of love and loss and
redemptive service to other people. Eliot told realistic stories about ordinary people. She is the a novelist of great psychological depth as well as able to puncture the balloons of hypocrisy always afloat in human society.
Janet's Repentance. Janet is a wealthy woman who is also a battered wife. She is married to Mr Dempster who is a wealthy powerful attorney. Dempster is also an incorrigble drunk and wife beater. One night he cast Janet out into the cold. She is rescued by kind friends and the saintly Rev. Mr. Tryan. We see Janet rescued from despair to a life of useful service. We also overhear debates by the townspeople (serving as a Greek chorus in Eliot's works) commenting on the theological controversies of the day.
These three stories would lead to George Eliot's name becoming known in the literary London world and among the reading publis. Soon her authorial star would rise high in the wild blue yonder of literary immortality. Do yourself a favor and read this book.
Customer Rating:
Review Summary: Eliot's first is still a landmark
Review: Eliot's first work here is still surprising in its form, its message, and its outlook. Eschewing the romantic elements of the early-mid 19th century, Eliot embraced (if not practically invented) realism--not necessarily that real life should constitute all texts, but that real people should inhabit them, changing characters, three-dimensional people with which the reader is nearly forced to sympathize. Eliot's narrators are constantly, though never tediously, beckoning our sympathies to these people--drab, regular, nondescript characters which still hold our fervent attention to the end.
I will not speak of the plots here, for you can look elsewhere for that. Suffice it to say that Eliot is the only feminist I will ever read. Her descriptions, always important and vital to the meaning of the story, are utterly incredible. This book is more like poetry in this regard--its imagery, its vibrancy.
If you buy this book, think of some of these questions:
-Why is it called "The Sad Fortunes of Amos Barton" and not "...of Milly Barton"?
-Always keep in mind the muddling of characters and concepts. Are there are any ideal characters in this book, or are nearly all characters both execrable and sympathetic at the same time? If there is an ideal character, why would Eliot do this? (Milly)
-When does Janet make her first appearance in her story? Why?
That's enough. This book isn't read enough. It's a fabulous introduction to Eliot, as well as one of her best works. Her scope here is much more focused than than of her other works, though not to disparage those too much...it's less than 400 pages, whereas Middlemarch is around 1000! Read this, then pick up Middlemarch.
If you want realism, and if you think Henry James isn't very readable, pick up this book.
Customer Rating:
Review Summary: Tales of Three Clergymen
Review: George Eliot's Scenes of Clerical Life consists of three tales involving three separate clergymen in England in the early 1800s. "The Sad Fortunes of the Reverend Amos Barton" is about the financially strapped curate of Shepperton who lacks tact, charm, and learning. Although he is initially unpopular with his parishioners, he earns their affection through his personal misfortune. The second tale, "Mr. Gilfil's Love Story," is about a parson at Shepperton (prior to the time of Amos Barton) who falls in love with Caterina, the daughter of an Italian singer, who, in turn, falls for someone else. When that someone else chooses another woman to be his wife, Mr. Gilfil deals courageously with the devastated Caterina, who is now at "the point of lunacy" because of the rejection. The third tale, "Janet's Repentance," has Reverend Edgar Tryan trying to stir up interest about the Evangelical Church in the religion-indifferent industrial town of Milby. The townfolk vigorously oppose Tryan's efforts in some very dramatic scenes. Janet, a female alcoholic who is frequently beaten by her husband, is at first resistant to Reverend Tryan, but later sees him as a fellow sufferer. She then seeks his guidance for personal problems, with positive results. All three tales are unabashedly sentimental and melodramatic. As this was Eliot's first attempt at fiction, one can see she had a ways to go before she developed the literary perfection that resonates in her later novels like Middlemarch. The tale about Amos Barton is my favorite because Eliot succeeded in making a drab character the hero of a story. The "sad fortunes of" should have been kept out of the title, though, because it suggests only the depressing side of the tale instead of the triumph of character it really is. The way Caterina in the Gilfil tale continues to find her singing the only way to "lift the pain from her heart" points out how a person may deal with grief by relying on an innate talent. The way Janet in the repentance tale goes from a kicked-about drunk to self-actualization is inspiring. Eliot's minor characters, such as the old women, the doctors, and the servants are well drawn, using the speech patterns and vernacular consistent with their respective class or degree of education. Overall, I recommend Scenes of Clerical Life as a fine introduction to George Eliot. However, I feel it is important to read Adam Bede immediately afterwards so one can see how quickly Eliot's ability to write fiction evolved into an art.